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Erwin Wurm: Trap of the Truth
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Erwin Wurm: Trap of the Truth

The Editor

The Editor

|3 min read

Erwin Wurm (b.1954) is one of Austria’s most prominent artists, highly regarded for his 2017 Austrian Pavilion at the Venice Biennale. Over three decades he has challenged the rules of sculpture, the limitations of the human body, and its relationship to the spaces we inhabit.

His work disrupts perceptions of the familiar and sensible and in a process that abounds with humour and experimentation, he frequently reimagines commonplace objects by giving them human characteristics. Wurm ponders what
sculpture is and what it can be, stretching its boundaries, and calling into question the value and importance we place on everyday objects.

He is both playful and political, using ludicrous scenarios to create work that addresses how we conform to society’s demands and how sculpture can upend cultural beliefs.

“At some point I came to realise that everything surrounding me can be material for an artistic work, absolutely everything. To begin with,
because I had no money and worked relatively quickly, I used scraps of wood and cans. Then I used old clothing, which did not cost anything, before ultimately realising that I could actually use anything around me. That was the decisive step, as then anything was possible.”

Introducing us to Wurm’s philosophical contemplation, the exhibition title Trap of the Truth refers to the thinking of influential 17th-century French philosopher René Descartes, who set out to interrogate the subjectivity of truth. This questioning of reality is immortalised in the phrase “I think, therefore I am”.

Outdoors, 19 sculptures will occupy YSP’s heritage landscape, including new and never-before-seen works. Three sculptures from Wurm’s Bags series explore consumer culture and objects of status. They include the five-metre-tall, pastel blue Big Step (2021), which takes the form of the Hermès Birkin bag, a contemporary symbol of prestige and wealth, and is personified with long elegant legs appearing to be walking purposefully. Dance (2021) and Trip (2021) – a briefcase and suitcase respectively – complete the
series, with their long, dynamic legs giving a sense of human life within the landscape.

Big Kastenmann (2012), which translates as ‘big box man,’ stands at five metres tall, with a large box for a torso wearing a formal pink and grey suit jacket. This was Wurm’s first large-scale public art project, displayed
outside The Standard Hotel in New York City in 2012. His 3.2-metre-tall bronze Balzac (2023) will be shown for the first time – the majestic human form created by elaborate layers of robes reminiscent of ancient classical statuary and referencing Rodin’s sculpture of the same name.

Drawing on his nation’s historic and cultural identity, Wurm interprets popular Austrian food items, the most iconic of which is the gherkin, or pickled cucumber, with which he has a longstanding fascination. It is presented here with the four-metre-high bronze Der Gurk (2016), while three
of Wurm’s Giants from the Abstract Sculptures series (2014-18), are anthropomorphised bronze sausages that reference the wiener hot dog, which takes its name from Austria’s capital, Vienna. Both foodstuffs lend themselves to being monumentalised as sculpture and propose contemporary readings of totems, idols, obelisks and other ancient sculptural forms.

“Erwin Wurm’s sculpture will be a riot of expression and colour against the green Yorkshire landscape and in the galleries. His imaginative powers are limitless, and we hope that visitors will be inspired, energised, confounded, and amused by sculptures that portray familiar objects but in a way that is entirely unexpected. Couture handbags grow long legs and arms and have real attitude; a four-metre-high hot water bottle becomes a big, warm mother; a real truck bends and climbs a gallery wall; a gigantic gherkin stands proud. Wurm draws attention to the ways in which humans conform to society’s demands, to the psychological impact of contemporary culture, and to how we use history and tradition to scaffold our
lives. The exhibition will provoke and captivate and it’s a great pleasure and privilege to stage Erwin Wurm’s first museum show in the UK.”

Visit Yorkshire Sculpture Park to view this most amazing art collection. More details and opening times on the website. https://ysp.org.uk/

Erwin-Wurm.-Big-Kastenmann--2012.-Installation-at-Yorkshire-Sculpture-Park--2023.-Courtesy-Studio-Erwin-Wurm-and-Thaddaeus-Ropac-Gallery.-Photo-C-Jonty-Wilde--courtesy-YSP_3

Erwin-Wurm--The-German-Couch--2021.-Installation-at-Yorkshire-Sculpture-Park--2023.-Courtesy-Studio-Erwin-Wurm-and-Thaddaeus-Ropac-Gallery.-Photo-C-Jonty-Wilde--courtesy-YSP_10

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